Process Post: Adventure Awaits

This piece started as a traditional acrylic painting for my not-yet-born baby’s room. My wife had put together the most perfect room, and I wanted to make a unique painting for the baby. I waited until she had done all of the things in the room that she wanted, and then took my cues from there. The result was a culmination of my ongoing development in art. The book opens – nay! EXPLODES out and these kids are off on their adventure. It features lines from my favourite books and stories.

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This was a commission for my own home – but I also take commissions for other people! Check out my pricing guide and other pieces on my Facebook page.

Upon completing it, I really wanted to continue working on it digitally. I thought this might make the perfect addition to my illustration portfolio.

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The following photos are progress shots, so that you can see some of my process. I started with the sketch, and then worked out the greyscale and began working on the colour. After lots of back and forth with myself and my critique partner, I decided to rework the sail and the water. I felt that the sail, particularly, would give more of the story if it wasn’t just a solid piece of fabric, but rather something from Gramma’s linen closet. The water I opted for went through many phases, though I didn’t snap shots of them along the way (oops!). Screen Shot 2016-07-26 at 7.40.46 PM.png

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Now, we’re ready to go. The digital sketch is complete.

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The greyscale came together over a few solid hours of painting, then standing back and looking, then fussing, then repeating. I was really focused on creating some stark contrasts and zeroing in the focus on the kids.Screen Shot 2016-07-28 at 7.09.01 PM.png

Adding colour:

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This boat was a major pain. I couldn’t settle on a look or colour!

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I sent this to my partner at one point, feeling pretty excited. Then I thought … geeze. It’s just not right. My partner cleared it up when she said, “You’re right, it’s not … I think the tones are too close in the face and the background.” Bingo! This, folks, is why you need a skilled and honest critique partner if you want to make real progress.

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I changed the colour of the boat, added this little iguana dragon guy to the head of it, and worked away for hours on the shirt, hair and hat. I toned down the background, changed the colour and faded it out around the shoulders, as to have a greater contrast of the face against the sky.

At this point, I thought: DONE! I was very excited about the vintage sheets.

Then I looked closer. Problem areas: the waves. They just weren’t doing it for me. The boat was too prevalent. Should I increase details? Should I change colours again? Should I add waves in the back and amp up the props by adding flying fish and other stuff?

After a long discussion with my critique partner, I made the decision to try some different waves. Through that process I found myself noticing the need for waves in the background and a higher contrast to increase the energy of the piece.

In general lately, my focus is on increasing energy. Sometimes it is through a slight shift in the eyes, or the body language. Sometimes it’s through tension built with things like waves.

This is the end result, and I am VERY excited about it:

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I also made a process video of the acrylic painting. If you haven’t seen it, check it out here!

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