This post is part “How-To” and part “Creative Life Lessons.”
I had been talking about putting this chalkboard up since my studio-office was in the last studio-office (which is now our son’s room). I have been talking about ACTUALLY doing it since the summer, and even went so far as to buy the paint I’d need in September.
But you know – life happens. I’ve been writing and making art and raising kids and being a teacher, and somehow the chalkboard just never got up onto the wall.
Until it did. And now – I can’t believe I ever waited, or didn’t have it!
Putting it together was very simple and straightforward. These are the steps I followed:
- Randomly block off a chunk of wall with masking tape, and judge it by eye, or as my
wife calls it, “Patrick-style measuring.” Note: for the purpose of having the wood ready before hand, you may wish to actually measure it all first. I was not that well organized, and sort of lucked out that it even worked.
- Paint 2-3 coats of chalk paint. The beauty behind chalk paint is that it dries very quickly, so I was able to do all of the coats I needed in one night, and each coat only took about 5 minutes to put up onto the wall. The other beautiful thing is that since it will soon be marked up with chalk, the odd line of overlapping paint really does not matter.
- Let it dry overnight.
- Find some scrap wood. Okay, you may want to be more prepared than I was. I happened to have just enough pieces of 1x4x8 hanging around in the garage, leftover from another project. This stuff is rough, and I like that about it. It’s not meant to beautifully finish anything, but with the right stain, and in the right room, it’s perfect. It also costs a few dollars a piece at almost any lumber supplier or hardware store.
- Measure the wood to size and cut. I had measured the size that I’d painted, and then cut according to that. I opted not to worry about angling the corners. I prefer the blocked look.
- Stain the wood. I used Special Walnut from Minwax. It is my all time favourite stain – we use it for almost every project. It’s light, but brings out the rich darks in the wood, and is rustic without being overbearing. It’s like a just-right plaid shirt on a fall day.
- I used a nail gun to attach it to the wall – it’s the easiest way to do it, and you don’t need to worry about finding studs! But if you don’t have a nail gun accessible, you could glue (use construction adhesive), or screw, or nail it to the wall.
- This is maybe the most important step: cover your new board in chalk! I mean rub the chalk all over it – leave no space untouched. When you’ve done this, wash it off with a damp cloth. This allows the new chalk paint to take the chalk and not leave any “burns” – a burn with chalk is when your first drawing, doodle, mark, words, whatever – the first things you put on the board are permanently there, even after you wash it off. It’s a terrible ghost that will haunt you forever, so be sure to cover and wash.
- Use it.
I’m using my chalkboard to help me with two specific areas of my work right now: my weekly accountability list, and my plotting for the second half of a novel I am working on. In the future, it may also be home to lists of clients and projects commissioned, orders made on prints, important dates, general ideas, picture book developments, and whatever else I need it for.
I love this board because of its flexibility, and because it brings importance to my ongoing work. It is a way of exploring ideas without having to save a file on a computer or track a piece of paper, and because it washes off so easily, there is a low commitment level. If I hate it, I can change it without any sweat.
I’m finding that seeing this when I walk into the space is inspiration in itself. There is a certain beauty in creative scratches on a chalkboard; in the lists and wonders and projects-in-motion. It keeps me on-task and motivated, inspired and excited. It feels importance because of its size, too.
This is really the next phase of my belief in having work ready to jump into at any time. I tend to keep lists on my phone and in a notebook on my desk, as well as in ongoing message and email format between myself and my critique partner, but this is in my face. I can’t lose it; it is the first thing I look at when I walk into the room.